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SKILLS

 

TECHNICAL

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9/10

Studio Recording

9/10

Sound Design

8.5/10

Mixing

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8/10

Field Recording

8/10

Foley Art

7.5/10

Mastering

 

GAME ENGINES & MIDDLEWARE

 
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AUDIOKINETIC WWISE

Audio system structures, sound design, and Interactive music implementation. My go-to tool when it comes to complex audio integration.

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FMOD

I have done my fair sound design and interactive music in Fmod. This software has made my and my collaborators' life easier enough times.

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UNREAL ENGINE

Blueprint coding, sound actor placement, sound class structuring, and procedural audio design. I use the internal audio integration, especially since MetaSounds got published I feel they have won me over.

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UNITY

Working with this tool sometimes is challenging but I still like the results.

MY AUDIO POWER TOOLS

 
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ABLETON

Sound design, music composition, recording, mixing, and mastering, They say "in order to master something you need to spend 10,000 hours". Well, I am a quad-master in this DAW and I am not afraid to say it.

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PROTOOLS

I use it for post-production, audio recording, mixing, and mastering. Protools are definitely one of my favorite DAWs' to work with as they feel so intuitive to my hands.

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IZOTOPE PLUGINS

Audio restoration and cleanup, mastering, EQ-ing, and compression, I use these plug-ins daily. Izotope is the one set of plug-ins that I always had in my DAWs.

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CYCLING MAX/MSP

What I have done in Max Msp is create all the crazy ideas that come to my mind. From complex algorithmic music to controversial sequencers and variable controllers.

VERSION CONTROL AND CLOUD SOFTWARE

 
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GITHUB

I use GitHub to communicate development with other team members. While I like it it does present some rough corners.

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PERFORCE

Communicating audio development with members of my team or supervisors. From the moment that I start learning this tool, it got really close to my heart.